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| Issue | Title | |
| Vol 8, No 1 (2019): Museum. Images. Senses. | Achille Bonito Oliva and the art system: the teoria di turno and the art contemporary museums | Abstract |
| Noemí María Feo Rodríguez | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | Criticism, mediation, and new spatialities: an STS and STG approach | Abstract |
| Konstantinos Argyriou | ||
| Vol 9, No 1 (2020): War and Otherness | The Titan Atlas: Prototypes for the Configuration of its Iconography in the Figurative Arts of Classical Antiquity | Abstract |
| Ana Valtierra | ||
| Vol 9, No 1 (2020): War and Otherness | Iconographic similarities between Permian “goddess plaques” (Ural region, 7–8th centuries CE) and Horus cippi (Egypt, 8th century BCE – 2nd century CE) | Abstract PDF |
| Lloyd D. Graham | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | The educational turn of art as a tool for social transformation in the new museums of the 21st century | Abstract |
| Ricardo González García | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | Exhibiting the Rite: the Perception of Medieval Liturgy through Manuscripts, Images and Musealized Objects | Abstract PDF |
| Ángel Pazos-López | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | The representations about Gypsies in Russian Painting from XIXth to the beginning of the XXth centuries | Abstract |
| Svetlana Procop | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | The Psychology of “Ultramodern” Art on the Essays by Gonzalo Rodríguez Lafora | Abstract |
| Pedro José Trujillo Arrogante | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | Performing Arts, New Technologies, Museum Heritage and its Application as a Tool for Social Change with a Group of Victims of Violence and Sexual Exploitation | Abstract |
| Amador Cernuda-Lago | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | The conservation of the art of exile in museums. From its constitution to the problems for its enhancement | Abstract |
| Inmaculada Real López | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | David Delfín and the Art as a Guaranty of Mental Health | Abstract |
| Ismael Amaro Martos | ||
| Vol 9, No 1 (2020): War and Otherness | Saints and heretics, the fight against the infidel in the religious festivals of the Kingdom of Toledo between 1565 and 1622 | Abstract |
| Ángela Sanz Baso | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | The Spectator and the Work of Art: Monologues and Dialogues in the 21th Century Museology | Abstract |
| Victoria Quirosa García | ||
| Vol 9, No 1 (2020): War and Otherness | The hydra of anarchy and the Brazilian Empire: images of tyranny and freedom | Abstract |
| Alberto Martín Chillón | ||
| Vol 8, No 1 (2019): Museum. Images. Senses. | Exhibiting the Rite: The Perception of Medieval Liturgy through Manuscripts, Images and Musealized Objects | Abstract |
| Ángel Pazos-López | ||
| Vol 7, No 1 (2018): Eikón Imago 13 | The image of Nero in the Prado Museum, from the perspective of a historian of Antiquity | Abstract |
| Pilar Fernández Uriel | ||
| 1 - 16 of 16 Items | ||
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ISSN: 2254-8718